Tag: Performance

Robin Hilton | August 11, 2026 Death Cab for Cutie has always had a gift for making the ordinary feel breathtaking, bringing clarity to complicated feelings in plainspoken and universal ways, with a sound that is singularly its own. For this performance, the band’s second at the Tiny Desk, the members recreate that sound almost entirely on acoustic instruments, including a nearly 100-year old zither. The band opens with “Pep Talk” and “Stone Over Water” from Death Cab’s latest album, I Built You a Tower, both stirring reflections on aging and surviving regret, before turning to two older cuts: “Title [See More…]

Ashley Pointer | August 4, 2026 Charlie Puth walked into the Tiny Desk and turned it into a jazz club. Known for crafting some of the biggest pop records of the last decade, Puth approaches the Desk less like a hitmaker and more like a bandleader, reimagining familiar songs with fresh arrangements that spotlight the musicianship at his core. With effortless precision — and plenty of spontaneity — he guideshis band through each song, shaping dynamics in real time like a professor leading a masterclass. “We Don’t Talk Anymore” opens with a colorful vamp before unfolding into what Puth jokingly [See More…]

Tom Huizenga | July 30, 2026 My favorite artists are the restless ones — those who enjoy, even thrive on, working outside their comfort zones, refusing to be confined to any convenient pigeonhole. Banjo magus Béla Fleck might be the poster boy for such musical curiosity. The 18-time Grammy-winner is fluent in bluegrass, newgrass (which he helped define), jazz, rock, Indian classical and various other traditions from around the globe. Opera superstar Renée Fleming also enjoys a boundary-defying inquisitive streak. While she’s one of the finest, most celebrated, sopranos of her generation, Fleming has stepped into surprising places, including a [See More…]

Lars Gotrich | July 28, 2026 ELUCID and billy woods have pounded the pavement for over two decades, which can feel like several lifetimes in underground rap years. Together as Armand Hammer, and separately on their own, the catalog runs deep. But even as more co-signs, features and bigger-name producers take note, a deep undercurrent remains: They reflect and refract the horrors and joys of the world, creating a kind of kaleidoscopic healing. As my colleague Rodney Carmichael puts it: The more complicated the times get, the easier it is to understand them. But this ain’t just for the heads; [See More…]

Bobby Carter | July 21, 2026 Following the second song of his set, Vince Staples does a call out. “I just wanna see something. If you know who George Jackson is, in the crowd, raise your hand!” The Long Beach emcee goes on: “What about Bobby Hutton?” No one raises their hand. He continues saying the names of slain members of the Black Panther Party, also mentioning Larry Kimmons, who was shot and killed by a Pepperdine University security guard in 1969. The song “Go! Go! Gorilla,” details the Black community’s fear of law enforcement. It was a tense moment [See More…]

Lars Gotrich | July 15, 2026 Just feet away from where NPR Music staffers write and edit stories, a swirl of black t-shirts and battle jackets opened up a small circle pit. The absurdity of the moment was not lost on us, but the smirks on the masses gathered to see an English metal band tear up NPR’s office carpet kept the momentum appropriately (but respectfully) chaotic. Napalm Death’s ongoing campaign for musical destruction had come to the Tiny Desk. For more than 40 years, noise has not only been a central tenet of Napalm Death’s caustic sound, but has [See More…]