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In this explosive episode of Drink Champs, Grafh and Memphis Bleek dive deep into their careers in hip hop. From Grafh’s early days with Black Hand and his near-signing to Roc-A-Fella, to Bleek’s experiences as a core member of the iconic label, the duo share never-before heard stories. They discuss Grafh’s alleged beef with 50 Cent, his ghostwriting for J.Lo, and his fight with Busta Rhymes. The conversation also touches on the importance of lyricism in hip hop, the impact of the Griselda movement, and the legacy of Chaz Williams. Grafh opens up about industry blackballing and his journey to independence, while both artists reflect on the evolution of their careers and the current state of hip hop.

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6Comments

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  1. 3
    @flavoracid

    I remember, 2003, senior year of high school, me and some of the homies were coppin’ mix tapes nonstop online. This was after Napster got fully shut down, but still heavy in the days of DatPiff and burnin’ CDs. I found this mixtape man.. gun to my head I just can’t remember what it was. But it had Red Cafe, Grafh, and Saigon on it (maybe even Sicario – I prolly’ didn’t spell his name right, but he sounded like Jay-Z). That mixtape got me madd hype about those 3 rappers early eaaarly in their careers. Saigon didn’t do too, too much, then he magically appeared on Entourage some years later..? Red Cafe was tryna’ do that commercial NY shit, and I respected him chasin’ the bag.. but Grafh.. holy shit, Grafh. Bro, nobody spit like Grafh. Still nobody spit like Grafh. I swear to you, despite having a completely different delivery and cadence than Styles P, those are the only 2 rappers that regularly drop a delivery me and my boys dubbed “the throwback”. Spit a format that’s like A-A-BCBC-A, where the third line will have some kind of inner rhyme scheme, not rhyme with the line before it, but the 4th line circles back and rhymes with the 1st and 2nd line; it just feels like a fucking anvil crashing down cuz’ if you know that kind of flow/delivery, you can see it coming and it hits so fucking hard. We called it the throwback because, again, Line 1 is A, Line 2 is A, but line 3 is an inner rhyme schem, and then Line 4 throws back the rhyme to Line 1 & 2. Bro, Grafh got unparalleled wordplay. Champion of that shit. I’m not talkin’ speed, I’m not talkin’ madd big words, just playing with the syllables. Lots of love to Bleek for bein’ on this interview, but I straight up came for Grafh.

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