Find the “Diary Song” single from SoundMojo’s ARYA album here: https://wmojo.com/diarysong
Lin-Manuel Miranda’s blockbuster musical is packed with clever callbacks, visual storytelling, and historical nods you may have missed. Join us as we spotlight the little moments, from staging tricks and costume choices to chilling foreshadowing and lyrical references, that make this revolutionary show even more impressive. Which detail blew you away most? Let us know in the comments below! Our countdown includes The Bullet, Eliza’s Cry at the End, How Burr & Hamilton Walk, Subtle Acknowledgments of Slavery, The Burn Letters, the turntable’s direction, and more!
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Find the “Diary Song” single from SoundMojo’s ARYA album here: https://wmojo.com/diarysong
Thanks For The Hamilton Story Emily 🫶, Your Kindness Has Kept Me Going On A Saturday 🥹🥲😭
I’m so happy that you acknowledge Ariana DeBose’s understated but impactful role in the play. My favorite was when she would be intervened with while getting close to Hamilton in a crowd. There’s a part when he’s standing on the soapbox, after taking it away from the British announcer, when Death is there in the crowd and Lauren’s gets in her way from touching Alexander*.
The many videos that pointed out her role, as Death seems to be a theme throughout theatre history. That death plays a huge role in life and is involved in a huge swathe of the stories, yet lurks in the background looming over the living.
For a long time, there we would reference her as Death whenever we’d see here elsewhere, because she really did an amazing job embodying the role, in a non-creepy complementary way. Until we were finally able to remember her real name from her other roles.
Her hairstyle really helped to set her apart during the play, a lot of other actresses who played the role didn’t, so I’m glad it was front and center in the streaming version because if it’s hard for people to see then it’s harder to miss out on such an interesting aspect of the story.
*Their love story in this movie is amazing, even if it’s only glinted at seeing only smidgens of their adoration. The polyamory, the hints and adoration between not just Laurens and Alexander, but also Angelica and Alexander, the possibilities that could have been there, but instead that they both respected his marriage, despite keeping in touch and continuing their friendship despite the longing, the longing was there and hinted in the play.
History is always covering up those who didn’t fit the mold society set for them, they were roommates, they were friends; no, they were lovers and partners through life, despite the business of marriages and contracts.
The marginalized, those who are covered up, deflected, or lambasted by fools who think so much of the mainstream is reality, when it so much more than that beige parchment. When the variety of people who make up the tapestry of life, our individualism, our creativity of existence, our beautiful mess of chaos and order, of heart and humanity.
The entirety of humanity, those people make life so much better, and people who are attempting to eliminate them are selling something, a concept that cannot maintain, a concept that cannot last, because humanity always survives, maintains, and survives, despite whatever is thrown out at us every century or so after people forget, just to knock us off our balance, but we get back up again and fight for survival, no matter what is thrown.
He had such a huge heart, not just for his family and friends, but also for the people of this country and everyone who followed afterwards who benefited no just from his words, but from the legacy his family built and maintained in his honor, though Eliza’s 97 years of life and in generations who were saved by her charities and actions, but also for the author who wrote the book that inspired LMM to build his play, his songs, his masterpiece.
I’ve seen Hamilton at leat 20 times if Not mkre & I have Never noticed Jasmine handing Lin the quill pen .
I love, love LOVE this play… the movie of it was a god send to those of us not living near a cultural center or playhouse. ❤️❤️
The final lyric is: “Who lives, who dies, who tells your story?” Three states of being: alive, dead, and transcended through story. Legacy is a form of transcendence. Story is what survives.
My interpretation is that Eliza’s final gasp represents an ascension through a junction of worlds, not only literally, but dramaturgically, linguistically, musically, and through breath itself.
The entire work is structured as an ascent. It begins with a single, measured question: “How does a bastard, orphan, son of a whore…” on a single note. From there, the pace, complexity, emotional scope, and narrative layering build relentlessly over two and a half hours toward a single climactic point.
We enter life on a breath and leave it on a breath. Hamilton is, in many ways, a masterclass in the dramatic shaping of breath upward: words fired at extraordinary speed, songs layered upon songs, stories carried forward through voice, music, and air itself. Its rhythm is constructed from breath: pauses, fricatives, plosives, and caesuras. Theatre is story carried on breath. A hurricane in theatre is breath magnified.
Eliza’s journey mirrors this ascent. She removes herself from the narrative, then famously “puts herself back in the narrative,” becoming both the central storyteller and enabler of Hamilton’s legacy. The musical shifts from Hamilton-the-man to Hamilton-the-story, carried upward by Eliza’s narration. A such it becomes Eliza-the-story. After all, it is called *Hamilton*, not *Alexander Hamilton*.
If you’ve ever witnessed someone close to death having a deathbed vision (still alive, yet seeming to glimpse beyond into transcendence), the reaction is often a gasp of sudden awe. Eliza’s final breath can be read in that way: standing at the threshold of worlds, between life and death, between story and eternity, between theatre and what lies beyond it. The fourth wall dissolves. Past and present collapse into one.
Eliza’s breathy gasp is the final note of the ascent, vocally a top note, carrying the story from history into immortality.