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What does it really take to survive a dinner rush at a world-class restaurant?

Bobby Flay and his home team of celebrity chefs reveal the high-pressure reality of what it takes to work the line and execute a real restaurant service as they face off against a visiting line from an elite restaurant. The dueling lines deliver dishes to a dining room filled with guests who eat and rate each plate. As the ratings roll in, the lines can choose to pivot on the fly to increase their scores. The home team’s reputation is at stake. If they win, they’ll secure their title as the best chefs in the biz. But, if the visiting team prevails, they’ll walk away with $25,000.

In the first episode, Marcus Samuelsson shows up to work on the Hav & Mar line along with Fariyal Abdullahi, surprising Bobby Flay and his home team chefs, Antonia Lofaso, Michael Jenkins and Claudette Zepeda. Unexpected problems force the chefs to improvise to send out all their dishes in this global seafood battle.

🔥 Watch the premiere full episode of #TheLine and find out who comes out on top. Don’t miss new episodes Tuesdays at 9|8c! 🔥

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#BobbyFlay #MarcusSamuelsson #TheLine #FoodNetwork #CookingCompetition #RestaurantChallenge #ChefCompetition #SeafoodRecipes #AntoniaLofaso #ClaudetteZepeda #CookingShow #RestaurantLife #FoodTV #FullEpisode #HavAndMar

Full Episode Premiere: Bobby Flay’s The Line 🔪 | S1E1 | Food Network
https://youtu.be/KV7lDQuy7aA

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4Comments

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  1. 1
    @CClausen85

    @29:15 look I’m a member of the church of Gordon, and sometimes I find his critique of “burnt” to be a little exaggerated, but in this case, it’s SCORCHED! Has anyone heard of a beautiful sear on both sides and then finish it in the oven? I mean F*** me are you *stupid*? There’s char and then there’s charcoal, my man. You’d have a Scottish man yelling at your pass in an instant you tried to serve that.. Thank God Bobby Flay and Ramsey aren’t on the same network..

  2. 2
    @CClausen85

    A burger patty is ground muscle and fat. It can take a violent surface and still taste like beef. Scallop is sweet, lean, and small. When the cook said “fine, I’ll cook it to hell” and painted the top black, he added charcoal and cooked the center through, which is what a lot of American diners want because translucent seafood scares them. She said excellent because it matched doneness-as-safety plus obvious crust.

    You can get contrast on a scallop without torching it: hard gold face, soft middle, brown butter, acid, something salty and crisp on the side. The “higher note” is the scallop still tasting like scallop, with brown as the bass line. Black on most of the top is a cover band.

    Old money and restaurant critics have spent a century calling char “peasant” and “cream-and-shallot” civilized. Working cooks and half of Japan and Spain and the American South spent the same century building great food on fire and dark. Palate refinement is discriminatory: you can tell mahogany from burnt, and you can want burnt on purpose on a burger without demanding it on a U-10 scallop.

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